(Dub Store) 12 tracks Re-issue of the original Jamaican ´Casmo´ LP album Jamaica is many things to many people. To some it is relaxing in the sun, swimming in the crystal-clear waters or golfing on a course high in the mountains. To others it is sipping a refreshing Planter´s Punch made with delicious Jamaica rum, drinking superb Blue Mountain coffee or just collecting bargains in the free-port shops and native markets. But to almost everyone, Jamaica is fun and music ... not just ordinary music but a very special kind which makes you want to tap your feet and dance. These exotic melodies may come from the tinkling guitars of the ´John Canoes´, traditional water-borne entertainers, or they may drift forth from one of the many intimate cocktail lounges which are sprinkled all over the Island. At the Casa Montego Hotel, one of Jamaica´s leading resorts, the sound of music comes from a native band led by one of Jamaica´s outstanding young musicians, Eric Grant, who has put together a smooth combination which can satisfy every taste. Eric Grant is a strange mixture for a Jamaican musician, for he combines a classical background with the native talent for rhythm. Most Jamaican musicians come by their talent naturally with little or no formal musical education. Grant has the added advantage of having learned music from his mother, a piano teacher. After years of serious study, Grant learned that classical pianists are not exactly in demand on the ´Lil´ Island in the Sun´, so he decided to switch to jazz. His first professional efforts, however, were not at the piano. Blessed with a fine tenor voice, he soon found a spot on a cruise ship as soloist with the band. In time he discovered that people liked to hear him sing and play his ones accompaniment so he would spend hours entertaining passengers with their favorite requests. While on the cruise ship, Grant visited many ports in the United States where he picked up the various jazz styles. Grant often is asked how he knows no many songs without referring to sheet music. He explains that he learns them by listening constantly to the radio when he is not on the bandstand or the Casa Montego. In this way, he keeps up on all the latest hit tunes. Grant does all the arranging for the group which he organized a few years ago as a trio. Today the band has five regulars and a soloist, all Jamaicans. Thoroughly American in style, the band have an extremely smooth beat which is enjoyable for either dancing or for listening. They have captured the rhythms of the Caribbean and South America and have mixed them with the jazz of North America to present a brand of music pleasing to all. Although the Combo play a dramy waltz and a snappy fox trot equally well, they receive the most requests for the Cha Cha and the Meringue, according to Grant. He has included many popular favorites at the Casa Montego in this album.
Various Greetings From Alabama What do these folks have in common? Nat King Cole. The Delmore Brothers. Emmylou Harris. W.C. Handy. Sonny James. Sam C. Phillips. Wilson Pickett. Lionel Richie. Sun Ra. Toni Tenille. Dinah Washington. Hank Williams. Sure, they’ve all been involved in music, one way or another, and some of them have made large contributions to our national heritage. But what links them is even deeper. Answer in just a moment. How about these non-musicians: Helen Keller. Condoleezza Rice. Weary bus-passenger Rosa Parks. Actors Tallulah Bankhead and Jim Nabors. Novelist Harper Lee, author of ´To Kill A Mockingbird.´ Olympic runner Jesse Owens. Prize fighter Joe Louis. Hall of Fame baseball players Willie Mays and Hank Aaron. The answer? Everyone on the list hails from the State of Alabama. And, needless to say, the list could have been a lot longer. With the exception of jazz musician Sun Ra (who claimed to have been from the planet Saturn), each one of these folks was proud of his or her heritage. As Alabama license plates told us way back in 1955, Alabama is ´The Heart of Dixie.´ As state nicknames go, that one isn’t bad. Alabama had previously tried for ´The Cotton State´ but just about every one of its neighbors had an objection to that. Even earlier on, Alabama was known as ´The Lizard State.´ None of its neighbors objected, but cooler heads prevailed. Alabama and its native sons and daughters have played a major role in the development of American music and culture. If the aforementioned Ms. Parks hadn’t refused to relinquish her bus seat to a white man, Montgomery, Alabama might not have become a touchstone for the civil rights movement that blanketed the entire south and spread to the nation in the 1960s. In fact, try to imagine the past half-century of American culture without the contributions of all the people listed above. Just focus on Hank Williams and Sam Phillips (founder of Sun Records) and the face of American popular music and culture would be altogether different. No one has yet written a song about Alabama’s state flower, the lovely camellia, although that flower has only been officially recognized since 1959 (a vintage later than many of the songs on this album). Before then, Alabama held the goldenrod as its state flower. Presumably a rash of allergic sneezing caused the legislature to modify its selection. Likewise, the boll weevil doesn’t get any attention on this CD, although the folks in Enterprise, Alabama erected a statue to the marauding insect in their town square, presumably acknowledging his role in devastating their cotton crop and forcing the state to move to a broader agricultural base. Both Fats Domino and Brook Benton have enjoyed hit records about the boll weevil, but neither confined the insect to Alabama. The songs on this CD are a true musical smorgasbord. The achingly pure country harmony of the Louvin Brothers tells us about an Alabama that may have all but disappeared in the past half century. That old-time charm is also evident in Pee Wee King’s Alabama Moon - a track that includes a lovely and unexpected 4-bar steel guitar solo. Wilf Carter was from Nova Scotia, but that didn’t stop him from singing the state’s praises (at breakneck tempo) on Alabama Saturday Night . Likewise, Dick Curless, who grew up over a thousand miles north in Maine, uses his rich vocal style to tell us about his southern mama in Old Ramblin’ Alabama Me. Pop vocalist Ella Mae Morse, who hailed from Texas, tells us all about Birmingham in a decidedly brassy big band style, while Bobby Bare sings the poignant tale of Alabama Rose. Two of the biggest hits on this collection are Red Foley’s Alabama Jubilee and Cowboy Copas’ Alabam , both of which crossed over the great divide and enjoyed some pop as well as country music success. Greetings From ... CD-Album-Series by Bear Family Music about the US Staates re-released on CDs by Bear Family Read more at: https://www.bear-family.com/bear-family/country-series/greetings-from/ Copyright © Bear Family Records