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Advance Music Dobbins B. - Jazz Arranging & Com...
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Jazz Arranging & ComposingA Linear ApproachMany different possibilities for harmonizing the same melody are illustrated and analysed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans and Clare Fischer.Techniques of melody harmonisation, linear writing and counterpoint for 2, 3, 4 and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers.Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD.An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensembleA useful discography is included at the end of each chapter.Preface - About the Chord Symbols Used in this Book - 1 Melody Harmonization: The Basic Technics and the Linear Approach - 2 Writing for Two Horns - 3 Writing for the Rhythm Section - 4 Writing for Three Horns - 5 Writing for Four Horns - 6 Writing for Five Horns - 7 Form and Development - Minor D - Blues for Barry - Beautiful Dreamer - Suite for Swee´ Pea´ - Appendix: I. Ranges and Transpositions of the Instruments Used in this Book - II. Articulations and Jazz Inflections Used in this Book - III. Basic Procedures for Score Layout - Bill Dobbins DiscographyNombre de pages :184

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Advance Music Dobbins B. - Jazz Arrangement & K...
49,50 €
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Jazz Arrangement & KompositionEin lineares KonzeptMany different possibilities for harmonizing the same melody are illustrated and analysed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans and Clare Fischer.Techniques of melody harmonisation, linear writing and counterpoint for 2, 3, 4 and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers.Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD.An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensembleA useful discography is included at the end of each chapter.Preface - About the Chor Symbols Used in this Book - 1. Melody Harmonization: The Basic Technics and the Linear Approach - 2. Writing for Two Horns - 3. Writing for the Rhyhtm Section - 4. Writing for Three Horns - 5. Writing for Four Horns - 6. Writitng for Five Horns - 7. Form and Development - Minor D - Blues for Barry - Beautiful Dreamer - Suite for Swee´ Pea´ - AppendixNombre de pages :208

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Jazz Arranging & Composing als Buch von Bill Do...
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Jazz Arranging & Composing:A Linear Approach Bill Dobbins

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Stand: 07.08.2019
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Modern Jazz Classics 1 als Buch von Bill Dobbins
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Modern Jazz Classics 1:Melodie-Instrument (C B Es) oder Combo. Ausgabe mit CD. Bill Dobbins

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Modern Jazz Classics 2 als Buch von Bill Dobbins
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Modern Jazz Classics 2:Vol. 2. Melodie-Instrument (C B Es) oder Combo. Ausgabe mit CD. Bill Dobbins

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A Creative Approach to Jazz Piano Harmony als B...
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A Creative Approach to Jazz Piano Harmony:Klavier. Lehrbuch. Bill Dobbins

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Advance Music Dobbins B. - Modal Jazz-standards...
34,00 €
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The Jazz Workshop Series, Vol. 1So What (Miles Davis): As played on the classic Miles Davis album Kind of Blue, includes Bill Evans’ introduction.Prism (Bill Dobbins): Jazz waltz, using Ionian, Aeolian, Phrygian, Lydian, Locrian, melodic minor and altered scales.Equinox (John Coltrane): Modal blues, as played on the album Coltrane’s Sound.Flamenco Mood (Bill Dobbins): An original ballad based on the series of modes used in Flamenco Sketches on the album Kind Of Blue.Spring Song (Bill Dobbins): An original 3/2 Latin composition using the Lydian mode.Milestones (Miles Davis): As played on the classic Miles Davis album of the same name.Bill Dobbins - piano, Ron McClure - bass, Billy Hart - drums, John Abercrombie - guitar, David Liebman - soprano, tenor sax, fluteEach volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, ’Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch.Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales.Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use.Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, ’Round Midnight and Embraceable You).Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc.

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Advance Music Dobbins B. - The Evolution Of Sol...
24,95 €
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The Evolution of Solo Jazz Piano Part 1&2Traditional Styles + Modern StylesThe Evolution of Solo Jazz Piano is a study of solo piano styles developed by 24 of the most influential solo pianists from 1900 to the present. In order to clearly illustrate the specific contributions of the various pianists, Bill Dobbins composed a theme based on the well known standard All Of Me. By applying the stylistic approaches of the different pianists to the same theme, one becomes aware of the subtle yet evocative elements of each individual style. Common elements between Waller, Ellington, Tatum, Monk and Rowles, Tatum, Hines and Wilson, Smith and Ellington, Corea and Beirach etc., should make it clear that musical individuality is largely the result of the subconscious emphasis of some musical elements over others, rather than the self-conscious cultivation of originality for its own sake. We sincerely hope that this DVD may serve as a stimulus toward the further study of the solo jazz piano tradition in particular and for creative music in general.Part 1: Traditional Styles Scott Joplin - Jelly Roll Morton - James P. Johnson - Willie The Lion Smith - Earl Fatha Hines - Thomas Fats Waller - Teddy Wilson - Duke Ellington - Art Tatum - Meade Lux Lewis - Pete Johnson - Jimmy Yancey - Part 2: Modern Styles Thelonious Monk - Bud Powell - Oscar Peterson - Erroll Garner - Lennie Tristano - Bill Evans - Clare Fischer - Jimmy Rowles - Cecil Taylor - Chick Corea Keith Jarrett - Richie Beirach

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Advance Music Dobbins B. - A Creative Approach ...
28,40 €
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A Creative Approach to Jazz Piano HarmonyThis is definitely not a harmonic system for those who are looking for rules by which to write music. Rather this is an approach to unlocking the limitless harmonic possibilities which are unique to the piano. This approach can be developed in a personal manner through a lifetime without ever exhausting the creative possibilities. Of course, it is also applicable to jazz composing and arranging. The book includes hundreds of musical examples and five compositions by Bill Dobbins.Nombre de pages :144

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