Jaffe, Andy : Something borrowed something blue : Principles of Jazz Composition :
The goal of Volume 2 of Modal Jazz Composition & Harmony is to continue the dissemination of information that presents a path of study for the aspiring jazz composer. Where Volume 1 of the book emphasized the preparation of a modal harmonic foundation, this volume will introduce concepts of melody writing and a study of the styles of jazz compositions that are an intrinsic addition to the contemporary jazz composer´s repertoire. Also included are chapters on harmonization and reharmonization techniques - as many of the concepts presented reflect an influence of Gil Evans, Duke Ellington and Charles Mingus as well as those of Herbie Hancock - and on pentatonic tunes that are harmonized with a modal harmonic foundation. As with Volume 1, an appendix with additional peripheral information is included for the student desiring theoretical explanation and additional examples.
This book evolved from 40 years of teaching jazz composition and arranging plus 50 years of personal writing experience in the professional field. It is, therefore, a comprehensive study, covering preparatory activities, philosophical perspectives, listening lists, choice tune lists, all elements of composing melodies and chord progressions, arranging for small and large ensembles, enhanced use of rhythm sections, a sensitive approach to instrumental ranges, textural options, form, and more. Though a self-contained study, the book has the unique feature of leading the reader to other excellent books on the subject.
The goal of this book is to show the student the means to develop latent creative abilities by offering the unfettered environment of the chromatic-modal system and free asymmetric form. The freedom of the approach will allow the composer to express him/herself in any style: post 50s jazz, ECM, fusion, pop, classical, etc., that is not tied to any harmonic particulars.Ron Miller is professor of jazz studies at the University of Miami. His compositions have been recorded and/or performed by notable musicians as Red Rodney, Elements, Jerry Coker, Ira Sullivan and Stan Getz. Composition students of Ron Miller that have attained notoriety include: Pat Metheny, Steve Morse, T Lavitz, Bruce Hornsby, Gil Goldstein, Mark Egan, Matt Harris, Denis DiBlasio and Rick Margitza.
DescriptionBased upon the Berklee Jazz Composition and Arranging Curriculum, this fully comprehensive guide covers all aspects of writing effective and inventive Jazz compositions. Features include:A full range of styles from the Blues to Fusion and beyond.Melodies created using intervallic patterns, guide tone lines, compound lines, antecedent/consequent phrasing and melodic tension.All aspects of tonal and modal harmony including inversions, pedal points and reharmonisation.Elements of form including intros, endings, interludes and backgrounds.Apply knowledge to any kind of soloist or ensemble, from Sax to Big Band.All elements of the book are complemented by the accompanying CD, including a listening tour of an entire extended Jazz work. A highly substantial and important volume.
The Jazz Compositions of Edo Castro - For Small Ensemble: Edo Castro
A Guide to Jazz Composition & Arranging. Lehrbuch: Jerry Coker
Miller, Ron : Modal Jazz Composition and Harmony vol.2 :