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Ged, Brockie: Drop Two Voicings Uncovered Volume 1
39,49 € *
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Erscheinungsdatum: 23.06.2016, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Drop Two Voicings Uncovered Volume 1, Titelzusatz: The Must Know Chordal Book for Guitarists for Jazz, Blues, Pop Rock and Contemporary Guitarists, Autor: Ged, Brockie, Verlag: Guitar & Music Online Learning Ltd., Sprache: Englisch, Schlagworte: MUSIC // Instruction & Study // Exercises, Rubrik: Musiktheorie // Musiklehre, Seiten: 112, Informationen: Paperback, Gewicht: 454 gr, Verkäufer: averdo

Anbieter: averdo
Stand: 08.07.2020
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A chordal concept for jazz guitar
22,95 € *
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COSTA DEL SOL|EXPRESSIONS|THREE|THE GIFT|STAIRWAY

Anbieter: Notenbuch
Stand: 08.07.2020
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A Chordal Concept For Jazz Guitar
22,95 € *
ggf. zzgl. Versand

A Chordal Concept For Jazz Guitar ab 22.95 € als Taschenbuch: (Revised Edition). Gitarre. Lehrbuch.. Aus dem Bereich: Bücher, Kunst & Musik,

Anbieter: hugendubel
Stand: 08.07.2020
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Drop Two Voicings Uncovered Volume 1
34,49 € *
ggf. zzgl. Versand

Drop Two Voicings Uncovered Volume 1 ab 34.49 € als Taschenbuch: The Must Know Chordal Book for Guitarists for Jazz Blues Pop Rock and Contemporary Guitarists. Aus dem Bereich: Bücher, Kunst & Musik,

Anbieter: hugendubel
Stand: 08.07.2020
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Voice Leading
35,39 € *
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An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds "leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.

Anbieter: buecher
Stand: 08.07.2020
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Voice Leading
35,39 € *
ggf. zzgl. Versand

An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds "leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.

Anbieter: buecher
Stand: 08.07.2020
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A Chordal Concept For Jazz Guitar
22,95 € *
ggf. zzgl. Versand

A Chordal Concept For Jazz Guitar ab 22.95 EURO (Revised Edition). Gitarre. Lehrbuch.

Anbieter: ebook.de
Stand: 08.07.2020
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Bach Jazz
15,67 € *
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Two ingredients, Bach and jazz, are tossed into a king-sized crossover bowl, yielding an unappetizing salad. Pianist Thomas Gabriel shuttles back and forth between playing portions of the D minor Concerto straight and either improvising on Bach's "chord changes" or taking off on his own. It doesn't come off, because Bach's linear language refuses to cooperate with Gabriel's emphatic, chordal jazz style, which resembles watered down Erroll Garner.

Anbieter: Dodax
Stand: 08.07.2020
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Musical ensemble
45,00 € *
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Musical ensemble is a group of two or more musicians who perform instrumental or vocal music. In each musical style different norms have developed for the sizes and composition of different ensembles, and for the repertoire of songs or musical works that these ensembles perform. In classical music, trios or quartets either blend the sounds of instrument families (e.g., piano, strings, and winds) or group together instruments from the same instrument family, such as string ensembles or wind ensembles. In jazz ensembles, the instruments typically include wind instruments (one or more saxophones, trumpets, etc.) one or two chordal "comping" instruments (electric guitar, piano, or organ), a bass instrument (electric bass guitar or double bass), and a drummer or percussionist. In rock ensembles, usually called rock bands, there are usually guitars and keyboards (piano, electric piano, Hammond organ and synthesizers) and a rhythm section made up of a bass guitar and drum kit.

Anbieter: Dodax
Stand: 08.07.2020
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