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Bum Cantos Winter Jazz & the Collected Discogra...
18,49 € *
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Bum Cantos Winter Jazz & the Collected Discography of Morning ab 18.49 € als Taschenbuch: . Aus dem Bereich: Bücher, Belletristik, Lyrik, Drama & Essays,

Anbieter: hugendubel
Stand: 31.10.2020
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O Moon my Pin-Up. Mit CD
36,90 CHF *
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Franz Koglmann ist ein nachdenklicher Musiker und ein Musiker, der nachdenkt. Dass er die Reflexion über Musik als für den Musiker selbst unerlässlich erachtet, zumindest für den Typus, dem er sich selbst zuzählt, führt gelegentlich zu grotesken Missverständnissen - auf einem Feld, auf dem ohnehin unzählige Polarisierungen die Vielseitigkeit des Phänomens Musik verstellen: schwarz-weiss, E und U, Cool und Hot, und eben halt auch Kopf und Bauch. In der jüngeren Auseinandersetzung um 'Jazz' (zwischen wievielen Anführungszeichen auch immer) ist, zum Beispiel, die Erkenntnis noch nicht zu den 'Vitalisten' durchgedrungen, dass der Orgasmus im Kopf stattfindet und somit das Hirn das eigentliche Geschlechtsorgan des Menschen ist. Andererseits verkennen die 'Rationalisten', dass nicht nur 'die Echtheit des Gefühls von der Klarheit der Idee' abhängt, sondern auch umgekehrt die Klarheit der Idee von der Echtheit des Gefühls. Beiträge: Franz Koglmann im Gespräch über sein Ezra Pound-Projekt, Peter Niklas Wilson über Musik und Struktur von Koglmanns Kantate, Christian Baier über sein aus Pounds Pisan Cantos kompiliertes Libretto, Bernhard Kraller über den Komponisten Franz Koglmann, Franz Schuh über sein Verhältnis zur Musik und Franz Koglmann sowie ein 50seitiger Foto-Essay von ÖhnerKraller. Anhang: Discographie, Bibliographie, Biographien In Koproduktion mit ORF und PipeRecords Franz Koglmann, geboren 1947 in Wien. Komponist, Interpret, Improvisator. Verschmolz Cool Jazz und Zweite Wiener Schule zu einem eigenständigen Personalstil. Formationen: Pipe-Trio, Monoblue Quartet, Pipetet. Zuletzt erschien auf hatART seine viersätzige Suite Cantos und We Thought About Duke (Lee Konitz).

Anbieter: Orell Fuessli CH
Stand: 31.10.2020
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Bum Cantos, Winter Jazz, & the Collected Discog...
34,90 CHF *
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WINNER OF THE 2013 BLUE LIGHT BOOK AWARD Rustin Larson's poetry has appeared in The New Yorker, The Iowa Review, North American Review, Poetry East, Saranac Review, Poets & Artists and other magazines. He is the author of The Wine-Dark House (Blue Light Press, 2009) and Crazy Star (selected for the Loess Hills Book's Poetry Series in 2005). Larson won 1st Editor's Prize from Rhino Magazine in 2000 and has won prizes for his poetry from The National Poet Hunt and The Chester H. Jones Foundation among others. A seven-time Pushcart nominee, and graduate of the Vermont College MFA in Writing, Larson was an Iowa Poet at The Des Moines National Poetry Festival in 2002 & 2004, a featured writer in the DMACC Celebration of the Literary Arts in 2007 & 2008, and he was a featured poet at the Poetry at Round Top Festival in May 2012. ENDORSEMENTS Challenging a reader's perspective while remaining accessible, direct and vulnerable, Rustin Larson magically turns the routine into the extraordinary. His ability to craft memories, whether shaded, flickering or luminous, entices readers of Bum Cantos, Winter Jazz, & The Collected Discography of Morning to linger, examine and encounter the significance of seemingly routine lives. Larson elegantly uses detailed, sensual images, chiming rhythms, and well-chosen, well-placed words to evoke layers of thematic content. Rustin Larson's poems entertain and inform while examining the many facets of the lives we endeavor to accept, enjoy and use for good purpose. -Michael Carrino, author of By Available Light Larson writes like an angel, but one who's willing to work both sides of the street. -John Peterson, Wapsipinicon Almanac Like Odysseus, Larson has been trying to find his way home, or at least to redefine that home. Larson's vehicle for his journey is the process of writing itself, which he has dedicated himself to and which he knows can be both circuitous and serendipitous. But the writer who pursues his craft, like Odysseus who pursues the journey home, must have patience... the poet and his journey are one. -Stephen Schneider, Pirene's Fountain Each poem in Larson's book is packed with as much detail as a short story. The narrator often alludes to literary works, famous as well as infamous people, easily identifiable locations on the globe, and renowned historical events that either relate to the poems thematically, or place the memories in history for the reader. The poems do not adhere to any one form, but rather, they take form as their contents require. Larson's writing style is multifarious. -Stephen Page, Buenos Aires Herald From moment to moment, Larson is surrealistic, Proustian, stand-up-comedy funny, dead serious, sad, ecstatic, deadpan. In Larson's multitude of stories and modes, there's always some layer of the writer concerned with craft, with metawriting... Write on, Rustin, write on. -Vince Gotera, North American Review

Anbieter: Orell Fuessli CH
Stand: 31.10.2020
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Vila Isabel, inventário da infância
5,00 CHF *
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Publicado em 1996 pela Relume-Dumará, 'Vila Isabel, inventário da infância' saiu pela série Cantos do Rio. Para esta edição comemorativa, além do texto original, foram incluídas 13 crônicas escritas por Aldir Blanc sobre a sua Vila Isabel, cravada na Rua dos Artistas. Este Inventário do compositor, escritor e psiquiatra nada mais é do que uma espécie de álbum de recordações. Nele estão a lua cheia refletida na caixa d'água, as leituras que fazia de cima da goiabeira no quintal de casa, as brincadeiras de criança, os personagens de casa e da rua. Uma tentativa de reencontro com a infância, a memória acumulada, as alegrias e fracassos, os sonhos realizados - ou não. A apresentação desta nova edição é de Luiz Antonio Simas. O historiador, também um cronista do Rio que pulsa na Zona Norte, garante que não sabe se é o menino Aldir Blanc que vive em Vila Isabel, ou se é a Vila Isabel que vive no Aldir. E conclui, para desespero dos leitores: 'Aldir vive na Vila, a Vila vive no Aldir e o Rio de Janeiro, daqui a pouco, periga não viver em coisa nenhuma, pelo andar da carroça em que nos meteram'. Antes que a carroça descambe barranco abaixo, ler Aldir Blanc e passear por sua Vila Isabel é fundamental. Esta reedição do livro integra a coleção 'Aldir 70' - composta também por 'Rua dos Artistas e arredores', 'O gabinete do doutor Blanc: sobre jazz, literatura e outros improvisos', 'Porta de tinturaria' e 'Direto do balcão'.

Anbieter: Orell Fuessli CH
Stand: 31.10.2020
Zum Angebot
O Moon my Pin-Up. Mit CD
28,00 € *
ggf. zzgl. Versand

Franz Koglmann ist ein nachdenklicher Musiker und ein Musiker, der nachdenkt. Daß er die Reflexion über Musik als für den Musiker selbst unerläßlich erachtet, zumindest für den Typus, dem er sich selbst zuzählt, führt gelegentlich zu grotesken Mißverständnissen - auf einem Feld, auf dem ohnehin unzählige Polarisierungen die Vielseitigkeit des Phänomens Musik verstellen: schwarz-weiß, E und U, Cool und Hot, und eben halt auch Kopf und Bauch. In der jüngeren Auseinandersetzung um 'Jazz' (zwischen wievielen Anführungszeichen auch immer) ist, zum Beispiel, die Erkenntnis noch nicht zu den 'Vitalisten' durchgedrungen, daß der Orgasmus im Kopf stattfindet und somit das Hirn das eigentliche Geschlechtsorgan des Menschen ist. Andererseits verkennen die 'Rationalisten', daß nicht nur 'die Echtheit des Gefühls von der Klarheit der Idee' abhängt, sondern auch umgekehrt die Klarheit der Idee von der Echtheit des Gefühls. Beiträge: Franz Koglmann im Gespräch über sein Ezra Pound-Projekt, Peter Niklas Wilson über Musik und Struktur von Koglmanns Kantate, Christian Baier über sein aus Pounds Pisan Cantos kompiliertes Libretto, Bernhard Kraller über den Komponisten Franz Koglmann, Franz Schuh über sein Verhältnis zur Musik und Franz Koglmann sowie ein 50seitiger Foto-Essay von ÖhnerKraller. Anhang: Discographie, Bibliographie, Biographien In Koproduktion mit ORF und PipeRecords Franz Koglmann, geboren 1947 in Wien. Komponist, Interpret, Improvisator. Verschmolz Cool Jazz und Zweite Wiener Schule zu einem eigenständigen Personalstil. Formationen: Pipe-Trio, Monoblue Quartet, Pipetet. Zuletzt erschien auf hatART seine viersätzige Suite Cantos und We Thought About Duke (Lee Konitz).

Anbieter: Thalia AT
Stand: 31.10.2020
Zum Angebot
Bum Cantos, Winter Jazz, & the Collected Discog...
18,99 € *
zzgl. 3,00 € Versand

WINNER OF THE 2013 BLUE LIGHT BOOK AWARD Rustin Larson's poetry has appeared in The New Yorker, The Iowa Review, North American Review, Poetry East, Saranac Review, Poets & Artists and other magazines. He is the author of The Wine-Dark House (Blue Light Press, 2009) and Crazy Star (selected for the Loess Hills Book's Poetry Series in 2005). Larson won 1st Editor's Prize from Rhino Magazine in 2000 and has won prizes for his poetry from The National Poet Hunt and The Chester H. Jones Foundation among others. A seven-time Pushcart nominee, and graduate of the Vermont College MFA in Writing, Larson was an Iowa Poet at The Des Moines National Poetry Festival in 2002 & 2004, a featured writer in the DMACC Celebration of the Literary Arts in 2007 & 2008, and he was a featured poet at the Poetry at Round Top Festival in May 2012. ENDORSEMENTS Challenging a reader's perspective while remaining accessible, direct and vulnerable, Rustin Larson magically turns the routine into the extraordinary. His ability to craft memories, whether shaded, flickering or luminous, entices readers of Bum Cantos, Winter Jazz, & The Collected Discography of Morning to linger, examine and encounter the significance of seemingly routine lives. Larson elegantly uses detailed, sensual images, chiming rhythms, and well-chosen, well-placed words to evoke layers of thematic content. Rustin Larson's poems entertain and inform while examining the many facets of the lives we endeavor to accept, enjoy and use for good purpose. -Michael Carrino, author of By Available Light Larson writes like an angel, but one who's willing to work both sides of the street. -John Peterson, Wapsipinicon Almanac Like Odysseus, Larson has been trying to find his way home, or at least to redefine that home. Larson's vehicle for his journey is the process of writing itself, which he has dedicated himself to and which he knows can be both circuitous and serendipitous. But the writer who pursues his craft, like Odysseus who pursues the journey home, must have patience... the poet and his journey are one. -Stephen Schneider, Pirene's Fountain Each poem in Larson's book is packed with as much detail as a short story. The narrator often alludes to literary works, famous as well as infamous people, easily identifiable locations on the globe, and renowned historical events that either relate to the poems thematically, or place the memories in history for the reader. The poems do not adhere to any one form, but rather, they take form as their contents require. Larson's writing style is multifarious. -Stephen Page, Buenos Aires Herald From moment to moment, Larson is surrealistic, Proustian, stand-up-comedy funny, dead serious, sad, ecstatic, deadpan. In Larson's multitude of stories and modes, there's always some layer of the writer concerned with craft, with metawriting... Write on, Rustin, write on. -Vince Gotera, North American Review

Anbieter: Thalia AT
Stand: 31.10.2020
Zum Angebot
Vila Isabel, inventário da infância
4,49 € *
ggf. zzgl. Versand

Publicado em 1996 pela Relume-Dumará, 'Vila Isabel, inventário da infância' saiu pela série Cantos do Rio. Para esta edição comemorativa, além do texto original, foram incluídas 13 crônicas escritas por Aldir Blanc sobre a sua Vila Isabel, cravada na Rua dos Artistas. Este Inventário do compositor, escritor e psiquiatra nada mais é do que uma espécie de álbum de recordações. Nele estão a lua cheia refletida na caixa d'água, as leituras que fazia de cima da goiabeira no quintal de casa, as brincadeiras de criança, os personagens de casa e da rua. Uma tentativa de reencontro com a infância, a memória acumulada, as alegrias e fracassos, os sonhos realizados - ou não. A apresentação desta nova edição é de Luiz Antonio Simas. O historiador, também um cronista do Rio que pulsa na Zona Norte, garante que não sabe se é o menino Aldir Blanc que vive em Vila Isabel, ou se é a Vila Isabel que vive no Aldir. E conclui, para desespero dos leitores: 'Aldir vive na Vila, a Vila vive no Aldir e o Rio de Janeiro, daqui a pouco, periga não viver em coisa nenhuma, pelo andar da carroça em que nos meteram'. Antes que a carroça descambe barranco abaixo, ler Aldir Blanc e passear por sua Vila Isabel é fundamental. Esta reedição do livro integra a coleção 'Aldir 70' - composta também por 'Rua dos Artistas e arredores', 'O gabinete do doutor Blanc: sobre jazz, literatura e outros improvisos', 'Porta de tinturaria' e 'Direto do balcão'.

Anbieter: Thalia AT
Stand: 31.10.2020
Zum Angebot