Angebote zu "Albums" (95 Treffer)

Mel Bay Stefanuk Misha - Jazz Album For Piano +...
24,00 €
Rabatt
22,10 € *
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Media Type : Book/CD SetLevel : Intermediate-AdvancedMusical Genre : JazzNumber of pages : 72Following the best-selling books, Jazz Piano Chords, Jazz Piano Scales and Jazz Piano for the Young Beginner, featured here are 12 pieces written in the styles of famous jazz pianists of the past. From Scott Joplin and Jelly Roll Morton to Oscar Peterson and Bill Evans, this collection is directed toward advanced level classical pianists who want to spice up their repertoire with the sound of Art Tatum or Erroll Garner without having to improvise. Every composition starts with a short biography of the featured pianist, and is accompanied by a CD with complete trio recording.

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Advance Music Liebman D. - Self-portrait Of A J...
23,20 €
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21,95 € *
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Self-Portrait of a Jazz ArtistMusical Thoughts and RealitiesCompletely revised and enlarged ?96 edition.David Liebman is a world reknown soprano saxophonist, widely respected both as an artist and educator. He has recorded over 100 albums, many as a leader featuring nearly 150 original compositions. As a sideman, Liebman has toured and recorded with Miles Davis, Elvin Jones, Chick Corea and John McLaughlin among others.Nombre de pages :216

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Advance Music Rossi M. - Should I? - Variable I...
32,70 €
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Should I?This piece originated from my days in Boston in the mid 1980s as a graduate student and as part of the New England Conservatory Honors Jazz Ensemble, which performed music from across many wide ranging styles. Good interaction amongst the rhythm section is crucial. If you have a guitarist or electric keyboard/s in the rhythm section, feel free to incorporate a range of electronic effects in order to change textures. Changes in dynamics within the rhythm section is of prime importance. Think of music from the Miles Davis groups and albums of the late 1960s and early 70s such as In a Silent Way, Bitches Brew, and On the Corner. This Jazz-Rock piece has plenty of room to stretch out over the two key centers of A7 (alt) and Eb minor. The melody should be played with a straight eighth-note feel with attention to the accented (>) and capped (^) notes at Letters A and C. Watch the change in dynamics starting one beat before Letter D until the end of the form. At Letters B, F, F1 (the bridge of the form), the rhythm section shifts to a 12/8 African feel. The interlude at Letter I happens only at the end of each solo form. Note - The solo/ensemble interlude at Letter E1 follows a 16, 10 (8+2), 16 bar form which is different than the solo form at E-H. The interlude at Letter E1 was written to assist soloists with material to play or draw from during solos. Should I? can be heard on Beauty and the Blues (MMC2045J) with jazz greats Billy Hart, Rufus Reid and Tom McKinley.Nombre de pages :44

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Alfred Publishing Goodwin Gordon - Jazz Police ...
78,00 €
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Series: Gordon Goodwin SeriesCategory: Jazz EnsembleFormat: Conductor Score & PartsInstrument: Jazz EnsembleLevel: 5.5 (Advanced / Difficult)As recorded on the Silverline Records album XXL (CD and DVD Audio) by Gordon Goodwin´s Big Phat Band, this ferocious chart is a totally hot rock-swing-jazz for big band. It will tear it up every performance! Featuring solo space for tenor, trumpet, trombone, or guitar, tons of energy abounds from the first note to the last. Perfect for any experienced band in concert or festival setting.This hot jazz-rock arrangement of the Gordon Goodwin Big Phat Band original features a driving bass line and solo sections for alto sax, tenor sax, and drums. A playable yet high-energy chart, the arrangement features fully notated solos, manageable ranges (lead trumpet to written G5), and a solo section that can be opened up for additional players.—The Instrumentalist

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Stand: 10.05.2019
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Alfred Publishing Wolpe Dave - Moody - Jazz Band
68,60 €
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Here is a selection from Dave Brubeck´s album called Young Lions & Old Tigers. Dave puts together the up-and-coming jazz greats with artists who have already made their mark on the jazz world. This tribute to the great James Moody is a slow, bluesy tune that Dave Wolpe has marvelously realized for jazz ensemble. Dave Brubeck´s style of playing piano adapts to big band very well. We are excited about offering this series of serious jazz charts from a jazz legend. (4:56)

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Lemoine Prost N. - Adolphe Sax Album
24,00 €
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21,60 € *
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Adolphe Sax Album Discipline / Instrument : Saxophone et piano Genre : classique Média : Partition Nombre de pages : 36 + 12 Format : 23 x 31 cm Editeur : Lemoine Réf. : 28891 Date de parution : 31/05/2013 ISBN / ISMN : 9790230988919ContenuBERLIOZ : 1er Solo - BIZET : Ouverture - BIZET : Intermezzo - DELIBES : Barcarolle - FRY : Berceuse - MASSENET : Vision - MASSENET : Air des Larmes - SAINT-SAENS : Orient - THOMAS : Deux chants du Pérou - THOMAS : Récit - WETTGE : FantaisieNoticeAdolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l´Opéra de Paris entre 1847 et 1894. C´est la place idéale pour promouvoir et expérimenter ses instruments à l´orchestre - l´inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires.On recense de nombreuses apparitions de l´instrument, d´abord timidement mêlé à l´orchestre puis dans de véritables solos pittoresques.Si l´intervention des saxophones dans la Corona d´Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d´autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D´Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l´instrument de belles phrases chantées au sein même de l´orchestre.On ne compte guère qu´une poignée d´oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d´un piano (ou d´une fanfare) est d´usage courant. Les musiques sont écrites principalement par les amis de l´inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d´oeuvre romantiques de l´époque).Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique.Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d´instrumentation. C´est lui qui utilise la 1re fois l´instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l´Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone.La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d´Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s´agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland.Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l´Acte II de l´opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d´après des chants joués par les Indiens sur la Quena, leur instrument national.Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques.L´Ouverture et l´Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l´Arlésienne (1872).La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto.Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c´est surtout...

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Hit Diffusion Pianorama Hors Serie Vol. 2, Jazz...
31,90 €
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30,31 € *
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Découvrez avec cet album l’histoire du piano jazz avec 25 des plus célèbres pianistes. Le classement des pièces par ordre de difficulté croissante.vous aidera à faire progresser votre technique ; en outre un large choix de tempos est abordé, ainsi qu’un grand nombre de styles : Stride, Be-bop, Blues, Boogie, Modal, Latin, Jazz Waltz, Ballad, etc. Avant d’acquérir l’autonomie d’un jazzman, vous trouverez dans ce recueil, les thèmes déjà arrangés et les grilles d’accords avec les improvisations « toutes écrites ». Livre + CD Autres volumes hors série disponibles dans la collection :Mes premières pistes, Jazz Story...100 ans de piano jazz.King Porter Stomp, F. Morton, Carolina shout, J. Johnson, Honeysuckle Rose, A. Razaf et F. Waller, Rosetta, E. Hines et H. Woode, Mood Indigo, D. Ellington, I. Mills et A. Bigard, Jive et Five, C. Basie et H. Edison, The man I love, G. et I. Gershwin, Beguin the beguin, C. Porter, Play piano play, E. Garner, Monk’s Dream, T. Monk, Bouncin’with bud, B. Powell, Peri’s scope, B. Evans, Blue Rondo à la turk, D. Brubeck, Poinciana, B. Bernier et N. Simon, Passion dance, Mc Coy Tyner, Cantaloup Island, H. Hancock, Rachid, M. Petrucciani, Exit Music, T. Yorke, E. O’Brien, C. Greenwood, J. Greenwood et P. Selway, When I fall in love, V. Young et E. Heyman, Hymn to freedom, O. Peterson, Pendulum, R. Beirach, Armando’s Rumba, C. Corea, Dat Dere, O. Brown et B. Timmons, Third Line Samba, A. Ibrahim, Saint Louis Blues, C. Handy

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Mel Bay Lofsky Lorne - Approaches To Jazz Guita...
26,00 €
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Media Type : DVDLevel : IntermediateMusical Genre : JazzLorne Lofsky is unquestionably one of the finest jazz guitarists in the world today. In 1980 after hearing Lorne in a Toronto jazz club, Oscar Peterson offered to produce his fist album, on the prestigious Pablo label. Subjects covered are: warm-ups, comping for yourself, anticipations, swing feel, dynamics, playing in 10ths, quartal harmony, chord extensions and harmonics.

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Advance Music Dobbins B. - Modal Jazz-standards...
34,00 €
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The Jazz Workshop Series, Vol. 1So What (Miles Davis): As played on the classic Miles Davis album Kind of Blue, includes Bill Evans’ introduction.Prism (Bill Dobbins): Jazz waltz, using Ionian, Aeolian, Phrygian, Lydian, Locrian, melodic minor and altered scales.Equinox (John Coltrane): Modal blues, as played on the album Coltrane’s Sound.Flamenco Mood (Bill Dobbins): An original ballad based on the series of modes used in Flamenco Sketches on the album Kind Of Blue.Spring Song (Bill Dobbins): An original 3/2 Latin composition using the Lydian mode.Milestones (Miles Davis): As played on the classic Miles Davis album of the same name.Bill Dobbins - piano, Ron McClure - bass, Billy Hart - drums, John Abercrombie - guitar, David Liebman - soprano, tenor sax, fluteEach volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, ’Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch.Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales.Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use.Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, ’Round Midnight and Embraceable You).Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc.

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