Angebote zu "African" (13 Treffer)

Combre Brun Philippe - African Bada - Solo Batt...
11,50 € *
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Eine Frage ? Eine Beratung ?Unsere Mitarbeiter stehen zu Ihrer Verfugung, wenn Sie technische Fragen haben oder nur einfach eine Verfugbarkeit kennen mochten. Bitte rufen Sie uns an, ein deutschsprechender Kollege wird Ihnen beantworten.

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Stand: 18.09.2019
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Faber Music L´estrange Alexander - Zimbe! Come,...
14,70 €
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13,20 € *
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Zimbe! is a 40-minute work for SATB chorus, children´s choir and jazz quintet with percussion, by the UK composer Alexander L´Estrange.It is a vibrant sequence of twelve African and gospel songs, charting a day in the life of an African village. There are simple children´s playground songs from Ghana and Zimbabwe, a Xhosa lullaby for mothers of the victims of Apartheid, a rousing drinking song, and music usedon religious occasions. Zimbe! will also provide an exciting new repertory piece for choral societies who may be looking for a follow-up to the world-influenced works of David Fanshawe and Karl Jenkins. The addition of the children´s choir enables choirs to forge, or renew, relationships with local school choirs.

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Stand: 13.09.2019
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Lemoine Wassy Brice - Rythmes Du Cameroun + Cd ...
24,00 €
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21,60 € *
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On connaît surtout du Cameroun la musique Makossa, popularisée en France par quelques grandes figures musicales comme Manu Dibango. Mais cette région (notamment l´Ouest du pays) recèle beaucoup d´autres richesses rythmiques, dont certaines appartiennent encore au seul registre traditionnel. Aujourd´hui, Brice Wassy, musicien camerounais ayant derrière lui une longue expérience d´interprète et de nombreuses rencontres musicales nous fait (re)découvrir Manga Mbeu, Kou Nga et autres Bikoutsi, qui n´ont pas fini de nous étonner. Déjà, au Cameroun, ces musiques originellement jouées lors des cérémonies de funérailles rejoignent peu à peu les pistes des bals...et des fêtes de mariage! Brice Wassy a commencé sa carrière en jouant sur des casseroles et des poêles à frire, s´est retrouvé à 7 ans au sein d´un orchestre de quinze musiciens dans un club de Yaoundé, a joué dans différents orchestres camerounais jusqu´à l´âge de 12 ans et n´a plus, depuis, quitté le monde de la musique. Arrivé à Paris en 1974, il joue avec Wally Sadarou puis avec Manu Dibango durant six ans. L´enregistrement de l´album Waka Juju en 1981 met en valeur ses qualités, dès lors largement reconnues dans le milieu musical. On trouve ensuite dans son parcours les noms de Pierre Akendengué (Gabon), Francis Bebey (Cameroun), Uta Sella (Cameroun), Touré Kounda (5énégal), Daniel Balavoine, Louis Chédid et Jacques Higelin (France), etc, mais aussi des jazzmen (qui apprécient sa maîtrise de la musique ternaire) comme Colin Walcott, Don Cherry et Jim Pepper (USA). A partir de 1994, Brice Wassy sera durant six ans directeur musical de l´orchestre de Sauf Keita, après avoir participé à l´enregistrement de l´album 5080, puis jouera régulièrement avec Myriam Makéba. Il fait partie de Tam Tam L´Europe (orchestre de 9 batteurs), et on le rencontre fréquemment sur les meilleures scènes de jazz à Paris. Et quand, habité par les diverses rythmiques de sa terre d´origine, le Cameroun, et par tout ce qu´il a joué ailleurs, Brice Wassy commence à écrire sa propre musique, celle-ci séduit très vite: en 1991 il est coproducteur de l´album de Jean-Luc Ponty, il trouve les musiciens et compose la plupart des morceaux, dont celui qui a donné son titre à l´album: Tchokola Aujourd´hui, Brice Wassy déploie toute la richesse de cette musique profondément enracinée en Afrique, mais ouverte à toutes les rencontres. Et derrière l´étonnante complexité de la Kb Music surgit la simplicité d´une African Jazz Pance qui appelle chacun à ressentir la musique, toute la musique, rien que la musique ...Contenu : Compositeur/Auteur : WASSY BriceDiscipline/Instrument : batterieSupport : Partition + CDStyle/Genre : variété - jazzDate de parution : avr.-00Nombre de pages : 32

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Stand: 29.04.2019
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Chester Music The Essential Late Romantic Colle...
20,60 €
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19,40 € *
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DescriptionA sumptuous selection of the very best Keyboard music of the late Romantic era by composers ranging from Tchaikovsky to Faure and beyond, all presented in one superb volume for the solo Piano.The music of the Romantic era is characterised by progressive innovations in both tonal and formal expression, both in the compositions of the salons and concert halls, and of the church. The works of Debussy, Tchaikovsky and Faure have become essential repertoire for any serious Piano student, forever pushing the boundaries of diatonic harmony, timing and texture into evermore complex worlds of emotion. Elsewhere you´ll even find the very first hints of Jazz in the African/American sounds of Joplin´s Ragtime classics. Every piece in this anthology is rich in heritage, and familiar to the ears of music lovers the world over. Take this opportunity to transform your repertoire - the music has been expertly adapted to appeal to the intermediate soloist whilst retaining all the beauty and character of the original works. There´s simply no better way to discover the music of the masters.SonglistAccelerations Waltz Op.234 [Strauss II, Johann]Adagietto (Symphony No.5 In C Sharp Minor) [Mahler, Gustav]Adagio (Violin Concerto In G Minor) [Bruch, Max]Agnus Dei (Requiem Op.48) [Faure, Gabriel]Allegretto (Symphony No.3 In F) [Brahms, Johannes]Allegro (Piano Concerto No.1 In B Flat Minor Op.23) [Tchaikovsky, Pyotr Ilyich]Anitra´s Dance (Peer Gynt Suite Op.46 No.1) [Grieg, Edvard]Apres Un Reve Op.7 No.1 [Faure, Gabriel]Arabesque No.1 [Debussy, Claude]Chanson De Matin Op.15 No.2 [Elgar, Edward]Chinese Dance (The Nutcracker Op.71) [Tchaikovsky, Pyotr Ilyich]Chorus Of The Hebrew Slaves (Nabucco) [Verdi, Giuseppe]Clair De Lune (Suite Bergamasque) [Debussy, Claude]Demand Et Reponse [Coleridge Taylor, Samuel]Dies Irae (Requiem) [Verdi, Giuseppe]Emperor Waltz Op.437 [Strauss II, Johann]First Movement (Piano Concerto In A Minor Op.16) [Grieg, Edvard]Gymnopedie No.1 [Satie, Erik]Humoresque Op.101 No.7 [Dvorak, Antonin] Hungarian Dance In G Minor [Brahms, Johannes]In Paradisum (Requiem Op.48) [Faure, Gabriel]Jerusalem [Parry, Hubert]Largo (Symphony No.9 In E Minor ´From The New World´ Op.95) [Dvorak, Antonin]Locus Iste [Bruckner, Anton]Love Theme (Romeo And Juliet) [Tchaikovsky, Pyotr Ilyich]Maple Leaf Rag [Joplin, Scott]Meditation (Thais) [Massenet, Jules]Norwegian Dance Op.35 No.2 [Grieg, Edvard]Notturno (Lyric Pieces) Op.54 No.4 [Grieg, Edvard]Opening (Slavonic March In B Flat Op.31) [Tchaikovsky, Pyotr Ilyich]Pavane Op.50 [Faure, Gabriel]Prelude In E Minor Op.11 No.4 [Scriabin, Alexander]Salut D´amour [Elgar, Edward]Scene (Swan Lake) [Tchaikovsky, Pyotr Ilyich]Serenade In E Op.22 [Dvorak, Antonin]Song Without Words Op.17 No.3 [Faure, Gabriel]Tango Op.165 No.2 [Albeniz, Issac]The Entertainer [Joplin, Scott]The Young Prince And The Young Princess (Scheherazade) [Rimsky-Korsakov, Nikolay]To A Wild Rose (Woodland Sketches Op.51) [Macdowell, Edward]Waltz In A Flat Op.39 No.15 [Brahms, Johannes]Waltz Of The Flowers (The Nutcracker Op.71) [Tchaikovksy, Pyotr Ilyich]Waltz ´Voices Of Spring´ [Strauss II, Johann]Wiegenlied (Lullaby) [Brahms, Johannes]

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Stand: 29.04.2019
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Aebersold Aebersold N°083 - The Brecker Brother...
20,30 €
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18,60 € *
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For years, musicians have been requesting a high quality funk/fusion play-a-long of well-known recorded hits. Well, be assured that this set delivers. The Grammy-winning Brecker Brothers band has successfully blended jazz, funk, rock, electronics and contemporary rhythms into exciting, energetic music, and this is your chance to play some of their greatest hits!! This is definitely one of the most incredible sets we´ve offered, and it´s sure to be a huge seller.Sponge - African Skies - Inside Out - Funky Sea, Funky Dew - Some Skunk Funk - Song For Barry - And Then She Wept - Slang - Above and Below - Straphangin´

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Stand: 29.04.2019
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Schott Groeger Bertrand - Loop Songs - Mixed Choir
31,40 €
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44 Warm-Up and Performance Studies for Jazz, Pop and Gospel ChoirsInstrument : mixed choir (SATB)Type : edition with CDNombre de Pages : 112The ´Loop Songs´ by Bertrand Gröger (Jazzchor Freiburg) are modern choral études for all SATB groups. Originally conceived as warm-ups or to break up the routine of repertoire rehearsals, many songs are also suitable as concert songs.The 44 compositions, divided into four levels of difficulty, allow for a varied training of stylistically typical rhythm, harmony and melody. By means of ´learning by singing´, the singers acquire skills in singing scat syllables, timing and intonation. This collection, containing two and a half hours of music, covers a wide range of music genres: Swing, Latin, Afro, Gospel, R&B, Funk, Pop, Rock and World music. All ´Loops Songs´ on the accompanying CD were recorded by the Swingle Singers. Also available: edition for choir singers ED 20368-01.Content : Diggeching Samba - Lah-lah on H-Day - Basses First - African Call - Blurred - Circling in T. - Straight Ahead - Take It Off - Chach - Anthem to Hymn - Dom-dzom Blues - Faster Than Miles - Strolling - Folkus on Three - Swingin´ Easy - Perfect Day - Chromatin´ Latin - Major Swing - Hanging Out - Déjà Vu - Locomotion - Wah-lah-yeh - Let´s Doo It - Restless Minority - Face the Bass - Five Fo(u)r the Fifth - Afro-Hey - Plenty of Twenty - Conversations - Gimmix - Brownie - Rocket Joe - Open Space - Shaken, Not Stirred - Revel in African Seven - Latin Bend - Be Concose! - Oh-weh - Equal Opportunities - Seven to the Blues - Lah-yah-nah - Saturday Groove - Chorale (From Dawn to Dusk) Shut Up

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Stand: 29.04.2019
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Mel Bay Matthiesen Bill - Habaneras, Maxixes & ...
23,40 €
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22,10 € *
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This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They´ve had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.Adios a Cuba (I.Cervantes) - Almendares (I.Cervantes) - Carioca (Ernesto Nazareth) - Coquetona (Danza) (Jose I.Quinton) - Cruz, Perigo!! (Ernesto Nazareth) - El Entreriano (Tango) (A.Rosendo) - El Esquinazo (Tango Criollo) (A.G.Villoldo) - El Panuelo de Pepa (Contradanza) (manuel Saumell) - El Zurdo (Tango) (Juan Maglio) - Esta Chumbado (Ernesto Nazareth) - Garoto (Ernesto Nazareth) - Ilusiones Perdidas (I.Cervantes) - l Chicotazo (Tango No.2) (Vincente Greco) - La Encantadora (I.Cervantes) - La Isabelita (J.Morel Campos) - La Luz Electrica (Tomas Leon) - La Matilde (Contradanza) (Manuel Saumell) - La Paloma (Sebastian Yradier) - La Quejosita (Manuel Saumell) - La Reina de las Flores (Tomas Leon) - Lamentos de Amor (Manuel Saumell) - Laura y Georgina (J.Morel Camppos) - No Me Toques! (J.Morel Campos) - O Que Ha? (Tango) (Ernesto Nazareth) - Por Que, Eh? (Why, Eh?) (I.Cervantes) - Que Le Importa a Usted? (Tomas Leon) - Quien Sabe (Tomas Leon) - Recuerdos de Gottschalk (Contradanza) (Manuel Saumell) - Remando (Tango) (Ernesto Nazareth) - Suipacha (Tango Milonga) (Eduardo Arolas) - Tiene Que Ser (It Must Be) (I.Cervantes) - Trocha (A Cuban Dance) (Wm.H.Tyres) - Tu (Habanera) (E.Sanchez Fuentes) - Vaya Una Pregunta (Tomas Leon) - Vitorioso (Tango) (Ernesto Nazareth) - Vuelta al Hogar (I.Cervantes) - Yo Se Lo Dire a Ustted (Tomas Leon)

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Stand: 29.04.2019
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Editions Orphee, Inc. Barrientos C. - Mambo For...
7,30 €
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The composer says:Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee’s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ´´In fact, if you can´t manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.” Over the last couple of years I moved back to Jelly Roll Morton’s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman’s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ´´conversation with the gods” in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao’s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950’s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo’s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece’s characteristics and title for this piece: Mambo for MO.As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles’ Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don’t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach’s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya!Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare’s Twelfth Night, and played incidental music for their production of Bertold Brecht’s The Good Woman of Sichuan. He has performed Carulli’s Guitar Concerto in A, Leonard Bernstein’s West Side Story and Marvin Hamlish’s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in...

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Stand: 13.09.2019
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Schott Heumann H.g. - Modern Piano (coll. Piani...
20,60 €
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19,50 € *
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This book Modern Piano contains 90 easy original pieces from the 20th and 21st centuries. The pieces selected display a great variety of styles including New Music, neoclassicism, modern dances, jazz, blues, pop, rock, musical studies, meditative music, New Age music and more besides: a colourful range of different styles, sometimes blurring the distinction between classical and popular music in ‘crossover’ pieces that bridge the gap between different musical worlds.The little pieces selected invite us to go on a musical journey of discovery, introducing new experiences using modern sounds and rhythms. All these pieces are suitable for tuition purposes, auditions, examinations and school music competitions – or just as stimulating repertoire for pianists interested in music.H. Badings: Oriental DanceA. Casella: SicilianaC. Debussy: Le Petit nègre (Cakewalk)F. Emonts: Blues - F. Emonts: Little Tango - W. Fortner: SongJ. Francaix: The Dreamy ChildH. Genzmer: Andante - A. Gretchaninoff: A Terrible Event - A. Gretchaninoff: Out for a WalkB. Heller: Musical Resolution - B. Heller: As in a Dream - B. Heller: Cloudy SkyH.G. Heumann: Modern SonatinaH.G. Heumann: Modern SarabandeH.G. Heumann: Modern WaltzH.G. Heumann: Amadeus Goes Pop - H.G. Heumann: Rainbow Fairy - H.G. Heumann: Like a Feather in the WindW. Hiller: Butterfly Waltz - P. Hindemith: We are building a City (No. 1 March, No. 2 Song, No. 3 Piece of Music)A. Ibrahim: African SongJ. Kember: Simple BlueJ. Kember: Soft Blue - G. Kretschmer: A Holiday Trip - G. Kretschmer: Clowns at the CircusG. Ligeti: Tempo di ValseR. Mohrs: ElegiaR.Mohrs: TarantellaR. Mohrs: OstinatoR. Mohrs: Prayer for Peace - V. Mohrs: Cats in Love - V. Mohrs: Tomcat BluesJ. Moser: Sad SongJ. Moser: I Hear Your HeartbeatJ. Moser: New Orleans BluesJ. Moser: Livin´ for Ice-CreamJ. Moser: The Snow is FallingG. Nevada: Little Pop Prelude - G. Nevada: Little SongG. Nevada: Ballad for twoG. Nevada: Ninette´s MusetteG. Nevada: Little Atlantic-RhapsodyC. Orff: Three Pieces from Piano Exercises (No. 11, No. 14, No. 35)E. Pütz: 5/4 Boogie E. Pütz: Mixolydian EtudeE, Pütz: Blue WaltzE. Pütz: ValsetteE. Pütz: Sentimental Lady - F. Radermacher: Jumping Jack - H. Regner: In the CaveT. Richards: Happy BluesT. Richards: Tritone BluesE. Satie: Ogive No. 1E. Satie: Gymnopédie No. 1E. Satie: Gnossienne No. 1M. Schoenmehl:Big Band TuneM. Schoenmehl: The Spanish Guitar PlayerM. Schoenmehl: Jazz-WaltzM. Schoenmehl: BluesM. Schoenmehl: Melancholic ReflectionsM. Schoenmehl: Sound Sheets - H. Schroeder: Love Song - C. Scott: The Elephant - C. Scott: The MonkeyM. Seiber: Jazz-EtudietteM. Seiber: Gipsy-TangoM. Seiber: FoxtrottM. Seiber: Blues in EbM. Seiber: CharlestonM. Seiber: Blues in G - M. Tajcevic: Für die Jugend (Piano Piece No. 1 and No. 5) - L. Tjeknavorian: Lively Conversation - L. Tjeknavorian: An ArgumentL. Tjeknavorian: Sad MonologueH. Weiss: FarewellG.W. Yasinitsky: Latin BlueF. Zehm: Melody

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Stand: 13.09.2019
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